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Back to top Peter Himmelman www.peterhimmelman.com In addition to his extensive experience as a film and television composer Peter Himmelman has a loyal, national following as a singer-songwriter/rock troubadour. When Peter is not on tour he is usually to be found in the studio where he has recorded more than a half dozen albums for Polygram's Island Records and Sony's Epic label.
For "The Souler Opposite" Peter Himmelman has crafted a unique and intimate jazz score that sets the lyric and comic tone for the whole picture. Peter has also composed and arranged the score for Touchstone Pictures' "Crossing the Bridge," Columbia TriStar's "Pyrates" and HBO's "Heart of Dixie." He has also composed and performed scores for CBS' "Knot's Landing" and he is currently scoring Fox TV's "In the Zone." Peter is a native of Minneapolis where he began his music career performing in local clubs and theatres. He now resides in Santa Monica where he and his wife are the proud parents of four lovely children. Back to top Tani Cohen
Production History
lThe real story behind "The Souler Opposite" started in the spring of 1992. For writer/director Bill Kalmenson it all began when everything ended. His standup comedy career had stalled and he was licking his wounds because the girl he was crazy about ran out of his life.
"I knew in the scheme of things my life was no big deal but I thought, with a few good jokes there was a movie I might be able to squeeze out of myself," confessed Kalmenson. "It was my second script and since it was so close to me it just flowed." Kalmenson's cathartic process of dealing with love lost led ultimately to the romantic mockery "The Souler Opposite" four years later. Bill had spent the previous ten years on the comedy club circuit, acting on TV and writing three other scripts ("The Guy Spy," "The Purple Haze" and "Ballot Box 13"). Kalmenson was playing the Hollywood 'fame game,' doing the requisite lunch meetings. He was well fed, but no deals. "The Souler Opposite" screenplay caught the attention of indie producer Says Cohen, "Dialogue is one of the most difficult things to achieve in a character-driven script and that's what I found so compelling in 'The Souler Opposite.' The lines rang so true I forgot I was reading a script and felt like I was eavesdropping on someone's conversation at a restaurant." With Cohen working on a shooting budget and Bill securing the financing, the project got its' "It's a funny, funny script. I hadn't read something this first rate in a long time," says Busfield. "Bill paints a true picture of the confusing dance between men and women." Though Kalmenson contemplated playing the role of Barry Singer he gladly stepped aside after being impressed by the reading of Chris Meloni. "He did me better than me," quipped Kalmenson. "Fortunately Chris came in and stole the part from the guy who wrote it. Yours truly." With the guys in place, the next and final casting call was for the "She communicated the sensitivity and intelligence which was the perfect foil to Barry," remarks Kalmenson. "Janel was a breath of fresh air." Production began last fall in and around L.A. at such locations as the Hollywood hills, Marina Del Rey, Ventura Boulevard and The Claremont colleges. In addition the crew flew to Washington D.C. for a three-day shoot to cap off a remarkable 25 locations in 27 days of filming. "The Souler Opposite" had its' world premier at The AFI International Film Festival where it enjoyed fantastic audience response and excellent trade reviews. After screening at AFM in Santa Monica "Souler" was the opening night film at The Tahoe International Film Festival in Squaw Valley, California. In March Fuji Film honored cinematographer Amit Bhattacharya and director Bill Kalmenson with a special screening of "The Souler Opposite" at Twentieth Century Fox Studios. And in June "Souler" screened as part of the Inaugural San Diego World Film Festival. Back to top | |||||||